Like the memory of a dream (according to connoisseurs), the ensemble displays an
achromatic evocation that fills with whites, greys and blacks, but not completely;
since it also contains smooth tonal nuances with the use of inks or different types of
paper. That paper, a material at the same time suggested and suggestive, guides us
through the exhibition in different forms that the observer will discover, just as the
artist did before them.
Ultimately, all construction is an individual act, from the decision to generate all the
graphics by hand (monoprints with designs of automatic lines on different type of
paper) intentionally bypassing the digital go-betweens present in the artist's
previous works, to the special attention to the lighting that plays with the shapes
and their shadows, adding highlights, marking the gaps and completing the spatial
composition of the work.
E. Folle-Chavannes
Layers
Dodecá
October 2003
Exhibitions / Installations
Games in the Forest_Let the Wind talk
Monochrome_105 Tints of Red
Dreams of Silence
Self Portrait_Flight Dialogues
Loyalty
Blessed Water_Source of Life
Games in the Forest
Elevation
Snow
Space_Time
Work in Progress
The Day in your Hands
She_He
Layers
Dis-coverings
Graphic Works
Fantastic Landscapes
Element
Like the memory of a dream (according to
connoisseurs), the ensemble displays an
achromatic evocation that fills with whites, greys
and blacks, but not completely; since it also
contains smooth tonal nuances with the use of inks
or different types of paper. That paper, a material
at the same time suggested and suggestive, guides
us through the exhibition in different forms that
the observer will discover, just as the artist did
before them.
Ultimately, all construction is an individual act,
from the decision to generate all the graphics by
hand (monoprints with designs of automatic lines
on different type of paper) intentionally bypassing
the digital go-betweens present in the artist's
previous works, to the special attention to the
lighting that plays with the shapes and their
shadows, adding highlights, marking the gaps and
completing the spatial composition of the work.
E. Folle-Chavannes
Layers
Dodecá
October 2003